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Fayl:Kırkdamaltı Kilisesi. Saint George and donors.jpg

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English: Kırkdamaltı Kilisesi. Saint George and donors
  • " The rock-cut church has an irregular plan with a triangular nave, a semicircular apse, and chambers for sarcophagi. A late thirteenth/early fourteenth century painting program enlivens the church with large images of the Ascension, the Crucifixion, and the Transfiguration on the ceiling; the Nativity and Koimesis on the walls; a Deesis in the bema; several portraits of an equestrian George; and a donor image, which shows the Lady Tamar and Basil Giakoupes presenting a small masonry church to the titular saint (fig. 12)." in (2023) Saint George between empires: image and encounter in the medieval East, Penn State University Park: The Pennsylvania State University Press ISBN: 978-0271095226.
  • "The two donors face St. George, an oversized figure with military attire. The Counsel Basil Giakoupes (left) wears a turban and white wrapped robe. This traditional Seljuk attire on a Byzantine donor suggests a high degree of cultural accommodation. At this point in history (~1290 AD), Seljuk Turks had ruled Cappadocia for 200 years. The socio-cultural context had certainly changed and local Christians practiced their faith as "exiles" under Turkish rule kingdom. The Georgian princess Tamar (right) wears a long green robe. She presents a model of the church in her hands. This was a common scene in Byzantine church art. (...)
    A second inscription on the roof mentions Byzantine Emperor Andronikos II and Seljuk Sultan Musad II, whose reigns overlapped (1282–95). This means that St. George was painted around 1290AD, making it the latest dated church in Cappadocia." [1]
Sanasi 1283 - 1295
date QS:P,+1250-00-00T00:00:00Z/7,P1319,+1283-00-00T00:00:00Z/9,P1326,+1295-00-00T00:00:00Z/9
Manba [2]
Muallif 1283-1295 artist

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Kırkdamaltı Kilisesi. Saint George and donors

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